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Shots linger, take their time, and aren’t concerned with pleasing the audience.
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Koko-di Koko-da operates with an unwavering confidence and creates a dangerous, palpable fear. The trio of antagonists that stalk their prey through these time loops are easily some of the most upsetting characters you’ll encounter in a horror film this year. It’s a strange reconciliation of sensibilities, but it works, and almost puts you in a child’s innocent, confused perspective through all of this. There’s an interesting haunted folk tale aesthetic to the film that gives it this eerie, dream-like quality, even when the subject matter is pitch black. It uses this intense premise as a way for Elin and Tobias to finally move on and receive the therapy that they need. It takes an incredibly emotional internal story and then turns it into something more cosmic, but all in the name of self-reflection.
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Years later, it seems like they’ve maybe been able to get back to a good place, but a mysterious series of events seems to trap them in the past and force them to repeatedly reckon with their former trauma until it can permanently be put to rest. The film begins with happy couple, Elin and Tobias, undergoing a terrible tragedy that rocks the foundation of their family. Koko-Ki-Koko-Da is a wildly inventive mash-up of time loop horror with emotional melodrama.
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It’s a movie that you never want to take your eyes off of, even if some of those moments may scrape your soul and make you want to scream.ĭirected by Johannes Nyholm Sweden, Denmark In addition to the copious mind games, the film overflows with incredible choreography and jaw-dropping movement. Each dancer is trapped in their own personal nightmare as everyone struggles to get a firm grasp on the situation. It’s debatable if Climax is technically a horror film (although it’s more of one than say, Parasite), but there’s no denying that the scenario that it presents is horrifying: the refreshments at the dance troupe’s party get spiked with LSD and madness ensues.Ĭlimax takes its time, but it slowly descends into hell in a chilling fashion. Climax may be the best example of this as the camera voyeuristically watches the increasingly unhinged rhythmic movements of a dance troupe.
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Gaspar Noé is a master of visual flair and knowing how to turn the camera into an active character in his films. Horror-comedy hybrids remain a difficult mix to truly do right, but movies like One Cut of the Dead make them look easy.Ĭlimax is just as much of a technical marvel as One Cut of the Dead, but it disorients and overloads the senses of its audience in an entirely different manner.
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Whether you’re laughing at the comedy, screaming at zombie carnage, or marveling at the cinematography, there’s plenty to keep you entertained in One Cut of the Dead. One Cut of the Dead is ready to be scrutinized, but it flows with such a fun, passionate tone that will even win over the biggest zombie hater. It’s a simple, brilliant idea, but the concept is pushed even further by the technical magic of how this film is presented as if it’s all done in a single take. One Cut of the Dead looks at a team of ragtag filmmakers who are trying to make a low-budget zombie film when their production suddenly gets interrupted by an actual zombie outbreak. It may actually be impossible to watch this movie and not fall in love with it. The ambitious meta experiment from out of Japan is a mash-up of everything glorious about the genre. It’s films like One Cut of the Dead that are why people love horror movies in the first place. There are a lot of movies out there and it’s easy for mainstream tunnel vision to set in, so here’s a helpful look at the very best foreign horror films of 2019 that absolutely deserve your attention. This year threw some major horror heavy hitters at audiences that were hard to miss, with IT: Chapter Two, Midsommar, Us, and Child’s Play being only a handful of 2019’s big releases.Īll of these are memorable American horror movies, but 2019 also contained some very powerful foreign horror films that didn’t get the same level of publicity. Horror continues to hack away at the mainstream and has proven that it’s a major force to be reckoned with when it comes to both film and television. *Keep up with our ongoing end of the year coverage here*Ģ019 has come and gone and it’s managed to be yet another standout year for the horror genre.